FLORENCE 2007 – FROM AN ACS ‘GROUPIE’
The first of the choir’s concerts in
Despite the fears of Musical Director Steven and of some of
the choir, the acoustics of the church proved to be excellent. Steven and
Accompanist
Lydia’s piano solo, the Debussy La Cathedrale Engloutie
was greeted with enthusiastic and prolonged applause, and when the choir
resumed, the audience, no longer inhibited, applauded each further offering in
appreciation of the different styles and genres of sacred music, from the
profound majesty of Purcell’s Hear my Prayer O Lord and Byrd’s Ave
Verum Corpus to the wholehearted 19th century hymn of Sebastian
Wesley Thou Wilt Keep him in Perfect Peace and the pieces by Lole and
Chambers. The applause at the ‘end’ of the concert was sustained and fervent
and it was therefore much appreciated when Steven introduced the (carefully
prepared) surprise encores. The choir then concluded the evening with Stainer’s
God so Loved the World and John Rutter’s The Lord is my Shepherd, respectively
excellent examples of 19th
and 20th century English sacred writing. Both were rightly received
with prolonged applause and afterwards compliments and congratulations on the
performance, in the accents of several different nationalities, were paid by
members of the enthusiastic audience.
So a very successful evening for the choir and its faithful
band of ‘groupies’ - the spouses, parents and friends of choir members. From a
personal viewpoint, though the concert was excellent overall, there were some
special moments. It was particularly magical to hear the music of two of our
greatest composers of the genre, Purcell and Byrd, floating up and outwards in
this beautiful church. The choir provided its audience with a deeply felt and
uplifting experience, responding sensitively to the nuances of Steven’s
conducting.
The second concert was two days later, in the heart of the
area round the Ponte Vecchio, at the
At the beginning of the concert the choir made a splendid
theatrical entrance from the crypt and took up its place on the raised and
pillared altar space. The programme was almost the same as that of the previous
concert and the choir again performed excellently. The acoustics showed to great advantage the
beauty of some of the sublime short pieces, especially the polyphonic motets.
One change in the programme was the replacement of the Purcell by O Nata Lux
by Thomas Tallis - a welcome inclusion of our other great Tudor composer. The
audience applauded every piece from the beginning, expressing particular
enthusiasm for Lydia’s solo, and again for the two ‘encores’ by Stainer and
Rutter, and expressing its delight and appreciation in its comments afterwards.
So the
Maureen Mulholland.